{"title":"Art \u0026 Place","description":"","products":[{"product_id":"bruce-begout-deriville","title":"Bruce Bégout - Dériville","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e96 pages\u003cbr\u003eText(s) by Bruce Bégout\u003cbr\u003e12 x 17 cm\u003cbr\u003eLanguage: French\u003cbr\u003eSoftcover\u003cbr\u003ePublisher: Inculte\u003cbr\u003e2017\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDans cet essai concis, historique et philosophique, Bruce Bégout passe en revue le rapport complexe des situationnistes à la question urbaine. Les relations des situationnistes et de la ville forment, selon la très belle image qu’emploie Guy Debord, une sorte de « Pompéi inversée », les « reliefs d’une cité qui n’a pas été édifiée ».\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComme un archéologue peu soucieux de son temps, qui baguenaude, inspecte et collecte ici et là, ce texte examine les magnifiques ruines de cette utopie avortée qui prit naissance au début des années 1950 et stupéfia, pour une grande part, l’esprit d’une époque.\u003c\/span\u003e\u003c\/p\u003e","brand":"Inculte","offers":[{"title":"Default Title","offer_id":4327220346903,"sku":"","price":7.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_libro_sticker_ok_cec4ee6d-72bb-4be6-9d81-662039ab40b7.jpg?v=1643373380"},{"product_id":"club-57-film-performance-and-art-in-the-east-village-1978-1983","title":"Sophie Cavoulacos \u0026 Ron Magliozzi - Club 57","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e184 pages\u003cbr\u003eText(s) by Ron Magliozzi and Sophie Cavoulacos\u003cbr\u003e27 x 23 cm\u003cbr\u003eLanguage: English\u003cbr\u003eHardcover\u003cbr\u003ePublisher: MoMa\u003cbr\u003e2017\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNew York’s East Village was alive with artistic activity in the 1970s and ’80s, fueled by low rents, resistance to the Reagan presidency, and the desire to experiment with new modes of art, performance, fashion, music, and exhibition. Club 57, located in the basement of a Polish church at 57 St. Marks Place, began as a no-budget venue for music and film exhibitions and quickly became a center of the neighborhood’s constellation of countercultural venues, with artists such as Keith Haring, Ann Magnuson, Klaus Nomi, Tseng Kwong Chi, John Sex, Fab 5 Freddy, John “Lypsinka” Eppperson, and Lisa Baumgardner. 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It includes works by artists such as Crash, Daze, Dondi White, Futura 2000, Rammellzee and others. The book highlights the progression from classic lettering to a more figurative and abstract style.\u003c\/p\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":4327235289111,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/files\/CollectionSpeerstra_1.jpg?v=1706207946"},{"product_id":"valerio-polici-ergo-sum","title":"Valerio Polici - Ergo Sum","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e36 pages\u003cbr\u003eText(s) by Valerio Polici\u003cbr\u003e42.5 x 30.5 cm\u003cbr\u003eLanguage: English\u003cbr\u003eUnbound softcover, held by an elastic strap\u003cbr\u003ePublisher: Dienacht Publishing\u003cbr\u003eEdition of 500 copies\u003cbr\u003e2016\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThe graffiti subculture offers redemption from anonymity and an escape into a ­parallel ­dimension where there is a sense of finally being special. 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Reminds 'The Warriors' movie from the 70's.\"– Leah Latella, \u003cem\u003eNewsweek Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Incredible stories of a life lived on the edge.\"– Gemma Padley, \u003cem\u003eHuck Magazine\u003c\/em\u003e\u003c\/p\u003e","brand":"Dienacht Publishing","offers":[{"title":"Default Title","offer_id":4327236599831,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_libro_sticker_ok_0910e02b-8880-40e3-a6a6-c5d52f82ff15.jpg?v=1645884190"},{"product_id":"zugriff-2","title":"Zugriff #2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e51 pages\u003cbr\u003eText(s) by Robert Kaltenhäuser, Allan Gretzki, Alexander Basile, Harald Hinz, Katja Glaser, Jens Besser, Lene ter Haar, Fabian Kassner, Oliver Kuhnert and Toska\u003cbr\u003e21 x \u003cspan\u003e10.5 \u003c\/span\u003ecm\u003cbr\u003eLanguage: German\u003cbr\u003eSoftcover\u003cbr\u003ePublisher: Zugriff\u003cbr\u003eEdition of 1000 numbered copies\u003cbr\u003e2015\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product-short\"\u003e\n\u003cp\u003eThe second „Zugriff“ edition is also an exhibition catalog of the Zeichen \u0026amp; Wunder – Graffiti as a visual dissidence exhibition, which took place in Bochum in November 2015. It was curated by Robert Kaltenhäuser. The artists of the exhibition and their works, are in line with the avant-garde trend, which was already set with the first edition of the magazine. Thus in the second access one finds, concise texts on the depicted works of (among others) Allan Gretzki, DTagno, Jens Besser, Jeroen Erosie, Oliver Kuhnert, Toska, Wermke\/Leinkauf and WiksKats.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":4327236665367,"sku":"","price":7.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/Zugriff2_1.png?v=1516569046"},{"product_id":"zugriff-1","title":"Zugriff #1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e62 pages\u003cbr\u003eText(s) by Robert Kaltenhäuser, Moritz Klein, Peter Michalski, Harald Hinz, Florian Markl, Patricia Armocida, Bianca Ludewig and Lene ter Haar\u003cbr\u003e21 x \u003cspan\u003e10.5\u003c\/span\u003e cm\u003cbr\u003eLanguage: German \u003cbr\u003eSoftcover\u003cbr\u003ePublisher: Zugriff\u003cbr\u003eEdition of 1000 copies\u003cbr\u003e2013\u003c\/p\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":4327239909399,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/Zugriff1_1.png?v=1516569053"},{"product_id":"zelle","title":"Zelle Asphaltkultur Set","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e84 pages\u003cbr\u003eEdited by Elle Asphaltkultur\u003cbr\u003e20.9 x \u003cspan\u003e14.5\u003c\/span\u003e cm\u003cbr\u003eLanguage: English, German\u003cbr\u003eSoftcover\u003cbr\u003ePublisher: Zelle Asphaltkultur\u003cbr\u003eEdition of 1000 copies\u003cbr\u003e2014\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZelle Asphaltkultur is a collective of artists based in Düsseldorf, which deals with graffiti writing but rather realizes painted urban interventions in the streets. Couvert is a little compilation of their printed matter. It contains their pocket sized showcase There's a Law , mostly composed of photos of painted trains, walls and things, as well as the comprehensive Wir stehen bereit, which was published on the occasion of their biggest exhibition to date on the venue of Essens Zeche Zollverein' in 2014. 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The cleaning companies were commissioned to remove graffiti and stickers from municipal property in the public space. As evidence for their work they took two photos on every job, one before cleaning and one after. During the 6 years that this work had been done 50,000 photos were taken and stored. Vincent Wittenberg and Wladimir Manshanden were able to seize this bizarre archive and quickly saw the historical value of it.","brand":"Wilco Art Books","offers":[{"title":"Default Title","offer_id":4327247446039,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/Sorry_for_damage_done.png?v=1574509353"},{"product_id":"city-as-canvas-new-york-city-graffiti-from-the-martin-wong-collection","title":"Sean Corcoran \u0026 Carlo McCormick - City as Canvas","description":"\u003cp\u003e239 pages\u003cbr\u003eEdited by Sean Corcoran\u003cbr\u003eText(s) by Carlo McCormick and Sean Corcoran\u003cbr\u003e26 x 22 cm\u003cbr\u003eLanguage: English\u003cbr\u003eHardback\u003cbr\u003ePublisher: Rizzoli\u003cbr\u003e2013\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA visual account of the birth of graffiti and street art, showcasing as-yet-unseen works collected by preeminent artist Martin Wong. Referred to by the New York Times as an artist \"whose meticulous visionary realism is among the lasting legacies of New York’s East Village art scene of the 1980s,\" Martin Wong (1946–1999) was firmly entrenched in the NYC street art world of the late ’70s and ’80s. \u003cem\u003eCity as Canvas\u003c\/em\u003e chronicles the most important chapter in the street art movement and the artists involved. Showcasing Wong’s enormous graffiti art collection, the book contains artwork, photographs, black books, letters, postcards, posters, and flyers made by Wong and his artist friends. 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À cette époque, la formation comprend une dizaine de jeunes artistes, réunis pour la plupart autour de l’école des Beaux-Arts de Versailles.\u003c\/p\u003e\n\u003cp\u003eAssocié à la Figuration libre et au mouvement graffiti naissant, Banlieue-Banlieue participe dès le début des années 80 aux nombreuses manifestations qui posent, dans la périphérie de Paris, les bases de cette mouvance, à l’instar du premier rassemblement du mouvement graffiti et art urbain à Bondy, en 1985.\u003c\/p\u003e\n\u003cp\u003eIls côtoient alors tous les pionniers de l’art urbain, avec notamment Jean Faucheur, Blek le rat, Jérôme Mesnager, Raphael Gray, Miss.Tic et des collectifs tels que Les Frères Ripoulin, Les Musulmans fumants, VLP, Los Globos avec Patrick Pinon ou encore X-Moulinex avec Speedy Graphito.\u003c\/p\u003e\n\u003cp\u003eLeurs influences viennent des affichages de Mai 68, des muralistes mexicains et, surtout, de l’histoire de l’art. La musique rock est également une importante source d’inspiration, associée très régulièrement à leurs travaux avec des concerts ou des peintures-performances — par exemple au Palace ou, en 1989, sur la Grande Scène de la Fête de l‘Humanité.\u003c\/p\u003e","brand":"h'Artpon","offers":[{"title":"Default Title","offer_id":7002924875799,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_libro_sticker_ok_5e3cbf75-494b-4d90-8bb2-e8df670c9251.jpg?v=1666253422"},{"product_id":"concrete-messages","title":"Zia Krohn \u0026 Joyce Lagerweij│Concrete Messages","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e128 pages\u003cbr\u003eText(s) by Zia Krohn and Joyce Lagerweij\u003cbr\u003e17.8 x 25.4 cm\u003cbr\u003eLanguage: English\u003cbr\u003eHardcover\u003cbr\u003ePublisher: Dokument Press\u003cbr\u003e2010\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eStreet art and politics meet on the separation barrier between Israel and the Palestinian West Bank.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe walled part of the barrier is full of scribbling, paintings, stencils, graffiti and posters. 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This photographic essay traces the roots of this hand writing phenomenon and its development in Chinese society and analyses in detail the do-it-yourself writing tools specially designed for street lettering Thousands of anonymous street calligraphers operate daily in Chinese parks and streets. The endlessly tracing texts composed of «hanzi» signs slowly disappear as water evaporates. This phenomenon, called «dishu» (earth writing or practicing ephemeral calligraphy on the ground using clear water as ink), appeared in the beginning of the 1990s in a north Beijing park and soon spread to most major Chinese cities. Based on classic Chinese literature, poetry or aphorisms, these monumental letterings, ranging from static and regular to highly cursive styles, make the whole body break into spontaneous dance and infinite formal renewals. This street calligraphic practice corresponds to both a socializing need and an individual search for self accomplishment or improvement. «Dishu: Ground Calligraphy in China» is the first survey on contemporary calligraphic practices in Chinese public spaces, documented during the summer of 2011 in Beijing, Shanghai and Shenyang. 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He saw BIG-O 116, EVIL ERF 14, RAT FINK 131, SUPER KOOL 223 written on the walls. In the beginning he thought of them as strange ideograms but he was even more fascinated to find out that the inscriptions were actually names. He decided to archive this phenomenon by taking pictures and to make it the subject of the thesis for his degree on Literature. He got in touch with many cliques of writers that open him the doors of New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBig names, as COCO 144, were his guide. Graffiti a New York by Andrea Nelli is the re-edition of one of first books about Graffiti Writing, published for the first time in 1978.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book conserves the original text, precious and rare document of an unthinkable research for that period. It contributes to the historical memory of Graffiti Writing with amazing pictures about the styles and the first tags of Manhattan Heights.\u003cbr\u003eMore than 100 pictures of Names and historical pieces photographed by Andrea Nelli accompany the text, true in the form and in the content. Graffiti a New York is a true witness about Graffiti phenomenon in his early years of birth.\u003c\/span\u003e\u003c\/p\u003e","brand":"Whole Train Press","offers":[{"title":"Default Title","offer_id":12418727477271,"sku":"","price":24.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_libro_sticker_ok_6169205f-bca4-421c-899c-e914b2bc1ff0.jpg?v=1612531557"},{"product_id":"pauline-chevalier-une-histoire-des-espaces-alternatifs-a-new-york-de-soho-au-south-bronx","title":"Pauline Chevalier - Une histoire des espaces alternatifs à New York de SoHo au South Bronx","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e466 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eText(s) by Pauline Chevalier\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e25.5 x 18 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage: French\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublisher: Les Presses du Réel \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2017\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"texte\"\u003e\n\u003cdiv class=\"citation\"\u003e112 Greene Street, The Kitchen, Artists Space, The Clocktower, P.S.1, Franklin Furnace, ou Fashion Moda : ces lieux nés durant la décennie 1970, et parfois toujours en activité, ont laissé une empreinte durable sur la scène artistique new-yorkaise.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e« Espaces alternatifs », d'abord installés dans ces quartiers industriels du sud de Manhattan qui deviendront SoHo et TriBeCa, puis dans l'East Village, le Queens, Brooklyn, ou encore le sud du Bronx, ces lieux d'exposition, de création et de sociabilité établis en marge des institutions muséales et des galeries commerciales ont favorisé l'épanouissement de nouvelles pratiques : art processuel, danse postmoderne, art vidéo, performance.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eC'est une enquête historique et un parcours géographique que propose l'ouvrage, mettant en lumière l'articulation entre ces pratiques et les phénomènes institutionnels, sociaux, économiques et urbains dont elles ne peuvent être dissociées. 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Section III contains interviews and talks from leading artists, curators, and thinkers.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the first issue of their second volume and it is totally devoted to the topic of \"Brand New, You're Retro: Memory \u0026amp; the City\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Nuart","offers":[{"title":"Default Title","offer_id":30924301926423,"sku":"","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_libro_sticker_ok_6a3f5d4a-53cc-40df-b206-1b8b39db023d.jpg?v=1612520138"},{"product_id":"armando-petrucci-promenades-au-pays-de-lecriture","title":"Armando Petrucci - Promenades au pays de l'écriture","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e160 pages\u003cbr\u003eText(s) by Armando Petrucci and Attilio Bartoli Angeli\u003cbr\u003e21 x 13.5 cm\u003cbr\u003eLanguage: French\u003cbr\u003eSoftcover\u003cbr\u003ePublisher: Zones Sensibles\u003cbr\u003e2019\u003c\/p\u003e\n\u003cp\u003eArmando Petrucci (1932-2018) est un paléographe et médiéviste italien, considéré comme l’un des plus grands spécialiste de l’écriture du XXe siècle.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Il ne s’agit pas ici d’histoire du livre ou du document. 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Du fait de ce choix épistémologique assumé, cet ouvrage, alternant réflexions et exemples, se présente comme une invitation à considérer les témoignages écrits (isolés ou en série, anciens ou récents, élégants ou relâchés, publics ou privés, exposés à la vue de tous ou cachés) comme autant d’épisodes d’un des chapitres les plus riches et les plus passionnants de l’histoire de l’humanité : celui de ses expressions écrites.\u003c\/span\u003e\u003c\/p\u003e","brand":"Zones Sensibles","offers":[{"title":"Default Title","offer_id":31122591612951,"sku":"","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_libro_sticker_ok_cce2f952-1fa5-4554-9c22-5525b532905a.jpg?v=1631370134"},{"product_id":"paris-couleurs-gerard-ifert-ektachromes-1953-1954","title":"Paris Couleurs Gérard Ifert Ektachromes 1953-1954","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e102 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eText(s) by Catherine de Smet \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotos by Gérard Ifert\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e21 x 21 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage: French, English\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublisher: Editions B42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2019\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn the 1950’s in Paris, geometrical and colourful colourmen’s shopfronts draw the attention of Gérard Ifert, a young Swiss designer. At the beginning of his career which will lead him at the crossroads of design, graphic design and exhibition design, Ifert also tries his hand at photography. During his long walks, he captures these coloured compositions, seeing these shopfronts as vernacular equivalents of Swiss Concrete painting. This surprising series brings back this anonymous street art to life, and questions relationships between art and design, urban landscapes transformation, and everyday life aesthetics. These ektachromes are an occasion to reflect on an aspect of the designer’s career, whose work has recently been rediscovered. Following the exhibition « Photographismes » that took place at the Centre Pompidou and which revealed the experimental aspect of Ifert’s production, this book unveils another dimension, the one of a city walker who pays attention to street and vernacular culture. In Ifert’s footsteps, this text written by Catherine de Smet reflects on the multicoloured aspect of these colourmen’s shopfronts, and calls upon Valentine and Ripolin, Picasso and Duchamp, Karl Gerstner and Richard-Paul Lohse, Sophie Taeuber and Victor Vasarely, as well as Verena Loewensberg and Bernard Frize.\u003c\/span\u003e\u003c\/p\u003e","brand":"Éditions B42","offers":[{"title":"Default Title","offer_id":31186351390743,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_4003f610-ccd9-4819-b570-6f67c06b9984.png?v=1579194616"},{"product_id":"all-city-writers-the-graffiti-diaspora","title":"All City Writers: The Graffiti Diaspora","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e408 pages\u003cbr\u003eEdited by Andrea Caputo\u003cbr\u003e33.4 x 24.6 x 3.6 cm\u003cbr\u003eLanguage: English\u003cbr\u003eSoftcover\u003cbr\u003ePublisher: Kitchen93\u003cbr\u003e2012\u003c\/p\u003e\n\u003cp\u003eAn encyclopedic exploration into the graffiti writing movement, which focuses specifically on the exportation of the style from its New York origins across the Atlantic to Europe, where the scene is now thriving and growing in new directions. Beautifully executed, All City Writers is produced to be the archive of the transitory and temporary work that would otherwise be lost. 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This new book present some of their artworks all around Mexico between 2008 and 2019 and an interview with \"Pegaso\" a painter in Chiapas state and his archives.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/EO0gmORl9h8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Editions Infinies","offers":[{"title":"Default Title","offer_id":32882606768151,"sku":"","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_50eaa9f8-5532-4d79-91fe-c47191952b84.png?v=1600793377"},{"product_id":"francesco-careri-walkscapes-la-marche-comme-pratique-esthetique","title":"Francesco Careri - Walkscapes: La marche comme pratique esthétique","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e240 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eText(s) by Francesco Careri\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e17.5 x 11 cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLanguage: French\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Actes Sud Editions\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e2020\u003c\/p\u003e\n\u003cp\u003eOuvrage culte pour les urbanistes et les architectes,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWalkscapes\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efait de la marche beaucoup plus qu’une simple promenade. 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Mais elle est aussi politique : en découvrant ces territoires qui sont à la marge et cependant peuplés, elle montre que les frontières spatiales sont aussi des frontières sociales.\u003c\/p\u003e\n\u003cp\u003eAinsi s’ouvrent les derniers espaces de liberté de nos sociétés quadrillées et s’esquisse une tentative de réponse aux préoccupations de demain : comment réinventer la ville pour en faire une terre d’accueil de l’altérité ?\u003c\/p\u003e","brand":"Actes Sud Editions","offers":[{"title":"Default Title","offer_id":32954515357719,"sku":"","price":7.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_1_2f320738-129a-4d99-8ac2-bed489475194.jpg?v=1605349393"},{"product_id":"julie-vaslin-gouverner-les-graffitis-esthetique-propre-a-paris-et-a-berlin","title":"Julie Vaslin - Gouverner les graffitis: Esthétique propre à Paris et à Berlin","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e133 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eText(s) by Julie Vaslin\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e21 x 13.5 cm \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLanguage: French\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Presses Universitaires de Grenoble\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePour la première fois, un livre qui parle de l'art urbain sous l'angle des politiques publiques. Comment se construit l'art urbain dans la ville ? Quel regard portent les pouvoirs publics sur le street art ? Comment régulent-ils cette pratique, entre répression et promotion? Quels sont les enjeux de la professionnalisation des artistes ? En s'appuyant sur des exemples et des entretiens menés à Paris et Berlin, les deux villes les plus importantes d'Europe à l'origine du développement des graffitis, l'auteur propose une analyse sous trois angles sociologiques différents: la sociologie urbaine, la sociologie politique et la sociologie de l'art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Presses Universitaires de Grenoble","offers":[{"title":"Default Title","offer_id":39259217788951,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_libro_sticker_ok_11b59d39-d890-4f40-8e6b-eab61d64b879.jpg?v=1615292733"},{"product_id":"silvia-ferrara-la-fabuleuse-histoire-de-linvention-de-lecriture","title":"Silvia Ferrara - La fabuleuse histoire de l'invention de l'écriture","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e320 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eText(s) by Silvia Ferrara\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e20.7 x 14.3 cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLanguage: French\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaperback\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: \u003cmeta charset=\"utf-8\"\u003eLe Seuil\u003cbr\u003e\u003c\/span\u003eFirst edition, \u003cspan data-mce-fragment=\"1\"\u003e2021\u003cbr\u003e\u003c\/span\u003eSecond edition, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eCe livre n'est pas un livre sur le grec ancien, ni sur l'alphabet. C'est un récit, qui parle d'une invention, la plus grande du monde\u003c\/em\u003e.\" Silvia Ferrara\u003cbr\u003e\u003cbr\u003ePourquoi l'homme s'est-il mis à écrire ? Comment et où cette révolution a-t-elle eu lieu ? Voilà les mystères sur lesquels Silvia Ferrara lève le voile. Pour cela, elle nous fait voyager dans le temps et l'espace comme dans les méandres de l'esprit humain. Ici, elle dresse le fascinant inventaire des graphies non encore élucidées ; là, elle retrace les multiples apparitions de l'écriture dans l'histoire. Car tout laisse penser qu'elle a été découverte et s'est effacée, sans laisser de traces, à plusieurs reprises. Sa naissance en Mésopotamie au quatrième millénaire avant notre ère n'aurait été qu'une occurrence parmi tant d'autres.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePris par un récit vertigineux, qui nous transporte du Mexique aux pourtours de la mer Égée, de la Chine aux Îles de Pâques, nous suivons pas à pas les progrès d'une recherche qui a considérablement progressé dans les dernières décennies. Enrichie d'illustrations, cette \u003ci\u003eFabuleuse Histoire...\u003c\/i\u003e nous instruit autant qu'elle nous fait rêver.\u003c\/span\u003e\u003c\/p\u003e","brand":"Le Seuil","offers":[{"title":"First edition","offer_id":47699059867983,"sku":"","price":22.0,"currency_code":"EUR","in_stock":false},{"title":"Second edition","offer_id":47699059900751,"sku":"","price":11.4,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_libro_sticker_ok_62ce3fca-3641-49ca-983e-92c42c47fecb.jpg?v=1615629571"},{"product_id":"nuart-journal-4","title":"Nuart Journal #4 Freedom","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e144 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdited by Martyn Reed and Susan Hansen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e29.7 x 21 cm \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublisher: Nuart Journal\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2020\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe height=\"560\" width=\"560\" src=\"https:\/\/player.vimeo.com\/video\/414282268?title=0\u0026amp;byline=0\u0026amp;portrait=0\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIssue 4 of Nuart Journal is dedicated to the theme of Freedom.\u003c\/p\u003e\n\u003cp\u003eFreedom is a paradoxical theme, given our current state of near global lockdown, and the deprivation of so many daily taken for granted liberties, that we are currently living through.\u003cbr\u003e\u003cbr\u003eWhen Nuart Journal announced this theme last year, we could not have imagined that our lives could change so swiftly, nor that ‘freedom’ would come to have such a bittersweet resonance just a few months later.\u003cbr\u003e\u003cbr\u003eThis new issue of Nuart Journal contains a collection of academic articles, visual essays, interviews, and reviews which critically address ideas related to freedom, democracy, and our right to public space – freedom of artistic expression, freedom of movement, freedom from harassment, violence, and arrest.\u003c\/p\u003e","brand":"Nuart","offers":[{"title":"Default Title","offer_id":39301455577111,"sku":"","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_libro_sticker_ok_8ac2bd98-2cb5-4e70-a13d-5c7fcb352422.jpg?v=1620049037"},{"product_id":"nuart-journal-5-lockdown","title":"Nuart Journal #5 Lockdown","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e144 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdited by Martyn Reed and Susan Hansen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e29.7 x 21 cm \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublisher: Nuart Journal\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0aN8Lb_ETZY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing last year’s FREEDOM issue, this edition explores the theme of LOCKDOWN, and the ways in which researchers and artists have responded to the challenges we’ve encountered over the last year.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eNuart Journal’s bubblegum pink LOCKDOWN edition contains 13 original articles, including John Fekner’s ‘Revisiting The Detective Show’. This piece links us right back to Gorman Park in Queens, New York, 1978 – a quiet intervention compared to contemporary street art festivals, and one which connects us with the productive restrictions COVID-19 has placed on organised urban creativity in 2020–2021.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn her extended review article, Minna Valjakka discusses the disCONNECT hybrid multi-site urban art exhibition recently held in London and Hong Kong - and online. This review highlights how, over the past year, collaborative installations have disrupted conventional art world paradigms and stimulated new questions on ‘how and where graffiti and street art – and\/or manifestations based on these practices – can be exhibited and documented’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHeather Shirey and David Todd Lawrence describe their collaborative database of street art across the globe produced in response to the pandemic, while Julia Tulke's ‘#StayAtHome Protest’ addresses the use of handmade protest banners in the windows and on the balconies of private buildings throughout Berlin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAida Wilde and Ego Ahaiwe Sowinski have contributed an evocative account of their collaborative response to the pandemic, and to the Black Lives MaQer movement. Their collecFon of narraFves\/poems and calls to acFon are grounded in transatlanFc conversaFons between the duo during the first UK lockdown in 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTaking as a starFng point the Black Lives MaQer ‘statue storm’ which has seen confederate statues in the United States and imperialist statues in Europe toppled, defaced, or slated for removal, KrisFna Borhes tells the story of various forms of iconoclasm in different places over Fme, while Laura Burocco raises criFcal and provocaFve quesFons regarding the \u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003efraught relaFonship between street art and Indigenous knowledges – arguing that gentrificaFon can be considered as a new form of urban colonialism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArFst Jan Vormann tells us what happened when he invited local residents to come over and paint a wall of his own home in the city of Valdivia, Chile, and Kehinde Christopher Adewumi and Joy Iorvihi report on their ‘Boxed In Project’ in Abuja, Nigeria – which was designed to sensiFse the community to the existence of the COVID-19 pandemic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGoing back in Fme, Ulrich Blanché explores Keith Haring's illegal street-based interacFons with Jean-Michel Basquiat, Richard Hambleton and others on the streets of New York City in the 1980s, while Enrico Bonadio and Olivia Jean-BapFste contribute a legal analysis of Banksy's recent trade mark case revolving around his image of the ‘Flower Thrower’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis issue also features Nuart Journal’s first dual language arFcle - María Fernanda López Jaramillo's close examinaFon of the history of chapeteo, a style of graffiF wriFng from Guayaquil, Ecuador.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LOCKDOWN issue closes with an extended interview with Bill Posters on his recent book, The Street Art Manual: A Step-by-Step Guide to Hacking the Streets.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Nuart","offers":[{"title":"New","offer_id":39301480120343,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/products\/test_libro_sticker_ok_1f6470b0-0f3e-49d1-8cfa-ff8164300c57.jpg?v=1620050946"}],"url":"https:\/\/www.legrandj.eu\/collections\/art-place.oembed","provider":"Le Grand Jeu","version":"1.0","type":"link"}