{"product_id":"actsofpostvandalism2024","title":"actsofpostvandalism2024","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e40 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eText(s) by Peter Michalski \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigned by Steffen Köhler\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 × 17 cm \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaperback\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublisher: actsofpostvandalism (Peter Michalski, c\/o Hood Projects)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExhibition catalogue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGlass sculptures by EGS and an object by Kai Richter share an exhibition hall with large canvases by Tilt and Jason REVOK. Alongside work by Stephen Burke, they form five distinct approaches to postvandalism. Peter Michalski’s introduction sets up the encounter between painting and sculpture, a relationship that gives the Düsseldorf show its shape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe catalogue lets readers see those approaches side by side and consider what happens to the gestures and rhythms of graffiti when they take shape in other materials. The front cover carries only the title; the back gives the last word to REVOK’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eInstrument Exercise\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (2019).\u003c\/span\u003e\u003c\/p\u003e","brand":"Hood Projects","offers":[{"title":"Default Title","offer_id":59439292776783,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2424\/8147\/files\/abb23385-cc04-47b4-b040-9c94fb03fe1e.jpg?v=1794227022","url":"https:\/\/www.legrandj.eu\/products\/actsofpostvandalism2024","provider":"Le Grand Jeu","version":"1.0","type":"link"}