98 pages 29 x 22 cm Language: English, French Softcover Publisher: Graffiti Art Magazine February - March 2026
Today, let us mobilize to thwart the ominous plans of leaders who have lost their sense of reason and humanity. Lady Liberty weeps, cries out, and falls into despair… Without forgetting them, let us keep these conflicts confined to our individual and collective memories. The Déflagration exhibition at the Historial de la Grande Guerre confronts us with this dark period. Never again. La Liberté guidant le peuple by OneMizer takes on its full meaning.
In a poetic chaos blending vandal and pop styles, OneMizer dresses our everyday lives in graffiti culture. Artistically shaped by graffiti, Kan plays with our perception in public space with absolute mastery of pointillism, while Tchéko develops a constantly evolving multidisciplinary practice. At the heart of abstraction, Tomislav Topic and Sifat offer, respectively, chromatic vibrations and works in perpetual geometric motion.
From its very beginnings, Urban Art has also been an optical art. Many urban artists manipulate geometry, color, and perception, creating works whose interpretation shifts depending on the viewer—who becomes an active component of the piece. Optical abstraction is, of course, not the only facet of Urban Art, as shown by B-Murals in Barcelona, where figuration dominates this alternative vision of Catalonia’s flagship city, or by the second chapter of 1 Village 1 Artiste, where Urban Art becomes rural under the spray cans of Brusk in Chassigny.
